Forn Sed

Often known under the name Asatru.

This blog will focus on historical accuracy and reconstructionism but also on the contemporary religion and sometimes wander into other heathenry, like Anglo - Saxon faith, Odinism, Theodism and so on.
There will however never be any bigotry, homophobia, anti Semitism or stupid ideas of a "pure" Germanic race. hello! theme by cissysaurus
07
31

Anglo-Saxon Clothes

As an answer to a question. More info can probably be found at some of the more Anglo-Saxon oriented sites linked to in the archive and at http://en.wikipedia.org/wiki/Anglo-Saxon_dress (as a good start). The Anglo-Saxon clothes seems related, though not identical, to Norse clothing. However some things , like the tunic, the cloak and tight trousers (for men) seems to have been common in many medieval cultures. 

My apologies to the ones of Anglo-Saxon and other Heathen traditions.

It would seem (me being Swedish) that i have been a bit Ethnocentric in my ways of portraying things. Sometimes i´m so focused on my own folklore/culture that i forget that there are many rich traditions of Heathenry and culture out there.

If this is not enough or if there are more specific questions i will consult the a friend of mine who is an Anglo-Saxon Heathen and hit the (more academic) books.

Anglo_Saxon scolars, feel free to correct me.

http://whotalking.com/flickr/Anglo-Saxon

Materials

Anglo-Saxon clothing usually utilized only three types of fabric. Wool was a coarse material which was used for most garments. Lower-class people, such as slaves (theow) and poorer peasants (gebur) could only use wool for their garments, even garments worn against the skin. Linen, harvested from the flax plant, was a finer material which was used for garments that were worn close to the skin by better-off peasants (kotsetlas and geneatas) and those above them in the social hierarchy. Silk was an extremely expensive material, and it was used only by the very rich, and then only for trim and decoration.

King Edgar I from the New Minster Charter, 966
The primary garment consisted of a knee-length woollen tunic. For the poorer theow, this would be the only clothing worn, although some may have been given woolen trousers and shoes to wear. Gebur would be able to afford woolen trousers and leather shoes, and would also carry a knife (called a seax), which signified their freedom in the eyes of medieval Anglo-Saxon society. A linen undertunic (worn under the outer woollen tunic) and linen braies (reaching to the ankle or knee) would be worn by richer peasants and nobility, along with woolen hose which would be held up by garters or decorative embroidery around the top.

Fifth and sixth centuries

Men of the northern tribes of 5th and 6th century England dressed alike regardless of social rank. The fashions during this time consisted of the cloaktunictrousersleggings, and accessories. The short, fur-lined cloak was designed so that the skin of the animal faced outward and the fur brushed against the undergarments. However, woolen cloaks have also been found. The garment opened either at the front or at the right shoulder. A single brooch, usually circular in shape, fastened the square or rectangular cloak. Other means of fastening the cloth together included tying, lacing, or using a clasp, often made of natural materials such as thorn, bones, wood, or horns. The less prosperous wore woolen cloaks.

Seventh to tenth centuries

Clothing of the seventh through the 9th centuries was similar to that of previous centuries and again all classes generally wore the same clothing, although distinctions among the social hierarchy began to become more noticeable through ornamented garments. These common pieces consisted of tunics, cloaks, jackets, pants, and shoes. As in the 5th and 6th centuries, a linen shirt acted as an undergarment. Men generally wore a knee-length linen or woolen tunic, depending on the season, over their shirts. The sleeves of the tunic were long and close fitting and excess material was pushed up the arm from the elbow to the wrist so that “rolls” were formed in the material.
7th century shoulder clasp for an Anglo-Saxon King

A cloak, worn over the tunic, fastened on either the breast or a shoulder with the assistance of a brooch. Once in place, the brooch was left attached to the garment so that the cloak was slipped over the head. The cloak, knee-length and rectangular in shape, was fastened so that it appeared to be pleated or folded. Hoods and collars began to appear in the 9th century, and around the same time, the cloak began to be curbed by the same belt that was worn over the tunic.
Reconstruction of female clothes 5:th - 7:th century by: http://thespidersweb.webs.com/anglo.html (Recommend a look see).



Women’s clothing

The main garment for a woman was a woolen gown of ankle length. Occasionally two gowns were worn, with the inner gown having longer and tighter sleeves, and the outer gown having shorter and looser sleeves. Under this might be worn a linen underdress. A mantle might be worn over the outer dress, along with a cloak. Like men, free women would also carry a seax as a sign of their freedom. After the introduction of Christianity, all women (except for very young girls and occasionally slaves) would wear some kind of headcovering, usually a draped couvrechef called a headrail, the ancestor of the later wimple.

7th Century Angle nobleman.
The tunic is a simple one-piece T-pattern, with brocade trim on the hem, neckline and cuffs, fastened at the neck and wrists with glass buttons. 
The Virgin Mary in Anglo-Saxon dress,New Minster Charter, 966

5th to 7th centuries
Women wore an under-dress of linen or wool with long sleeves and a draw-string neck. Sleeves were fastened with clasps for wealthier women, or drawn together with braid or string for poorer women.
The outer dress was a tube of material, rather like a pinafore, and often called a ‘peplos’. A pair of shoulder-brooches or clasps held this onto the under-dress. A belt was worn, from which various accessories were hung. There is some linguistic evidence that shawls were worn, as well as cloaks, which were fastened either centrally or to the right shoulder with a brooch. Shoes were as for men, and woollen socks were probably worn. Rings, bracelets and beaded necklaces were popular.

7th to 9th centuries
Shoulder-brooches and wrist-clasps went out of fashion, and the sleeves of the over-dress now came to just below elbow-length on the arms and calf-length around the legs. The under-dress was cut longer than the over-dress. Veils held on by headbands or fillets became more popular as Christianity spread. Centrally-fastened cloaks replaced the earlier styles, often reaching to the knee and sometimes with a hood.

10th to 11th centuries
The under-dress was now often pleated or folded, while the sleeves of the over-dress tended to flare towards the wrist. Dresses were edged with tablet-weave, and head-dresses became larger, covering the head and neck and hanging over the shoulders. They were held in place with pins. Belt accessories became far less popular, while a slight pointing of the shoes became more fashionable. Cloaks were now rectangular with a hole cut out for the head, and held in place with a belt.

5th and 6th centuries
Men wore wool or linen hip-length undershirts with long sleeves, and probably loin-cloths. Woollen trousers were held up with a belt threaded through loops. A tunic was pulled over the head, and reached down to the knees. It was usually decorated at the wrists, neck and hem, and was long-sleeved. A belt was worn at the waist, often with a decorated buckle and strap-end.  Pouches, knives and other accessories might be hung from the belt. Shoes were made usually from a single piece of leather, but perhaps with an extra piece to form a sole. They were fastened with laces, toggles or loops.

7th to 11th centuries
Tunics tended to have extra pleats inserted at the front, and sleeves became fairly tight-fitting between elbow and wrist. Bands of cloth, like military ‘puttees’ were often wound around the leg from knee to ankle. Belts tended to become thinner, and money may sometimes have been carried in pouches. Cloaks, where worn, varied in length, but were rectangular in shape and fastened at the shoulder. There is evidence that shoes were sometimes fastened with buckles or buttons. Jewellery became increasingly popular. Socks were probably worn by some from earliest times, but there is hard evidence for them in the later period.

The costume of a Christian Anglo-Saxon noble woman of the ninth century.

The overdress is ankle length, wide, overdress with fairly wide sleeves reaching to mid forearm and a round neck opening. The cut of this dress resembles the tunics worn in the Late Roman and Byzantine times, like the tunic dalmatica. Beneath it a less wide, ankle length under dress is worn with long tight sleeves. The sleeves are longer then my arms to create the wrinkles on the lower part of my arms.
The veil could be colored and voluminous and it could be fastened with fillet or ribbon.

The fabrics commonly used in this period where wool and linen because of it’s rarity, silk was reserved for the very wealthy. 

http://www.gelfling.dds.nl/anglo-saxon.html

12
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There are two main strains Germanic Neopaganism known as Ásatrú, originating near-simultaneously in Iceland (Ásatrúarfélagið, 1972) and the USA (Asatru Free Assembly, 1974).While the Scandinavian branch emphasizes pantheist spirituality rooted in medieval and contemporary Scandinavian folklore, the American branch postulates a “native religion of the peoples of Northern Europe” reaching back into the paleolithic. In Germany, the term Asatru is used in the wider sense of Germanic neopaganism.As Ásatrú implies a focus on polytheistic belief in the Æsir usage of the term in Scandinavia has declined somewhat. In Scandinavia, forn sed / forn siðr “old custom”, Nordisk sed “Nordic custom” or hedensk sed / heiðinn siður “pagan custom” are preferred. In both the Anglosphere and German-speaking Europe, it is widely used interchangeably with other terms for Germanic Neopaganism.

There are notable differences of emphasis between Ásatrú as practiced in the USA and in Scandinavia. According to Strmiska and Sigurvinsson (2005), American Asatruar tend to prefer a more devotional form of worship and a more emotional conception of the Nordic gods than Scandinavian practitioner, reflecting the parallel tendency of highly emotional forms of Christianity prevalent in the United States Structure and subgroupings:Solitary practice, or practice in small circles of friends or family is common. These are often called kindreds or hearths, although often they are not formal. Germanic Neopagan organizations have been active since the 1970s, but most of these larger groups are loose federations and do not require committed membership comparable to a church. Consequently, there is no central authority, and associations remain in a state of fluidity as factions form and break up.There are several possibilities to analyse Germanic Neopaganism into individual currents or subgroupings.One common approach is the classification by notions of ethnicity (“folk”). This may range from ethnic nationalist (völkisch) attitudes with far right tendencies on one hand (the Nouvelle Droite of Alain de Benoist notably has ties to such currents of Neopaganism) to moderate “tribalist” notions of ethnicity as based in tradition and culture, and to “universalist” approaches which de-emphasize differences between ethnic traditions (e.g. Seax Wicca).Another classification is by approach to historicity and historical accuracy. On one hand, there are reconstructionists who aim to understand the pre-Christian Germanic religion based on academic research and implement these reconstructed . Contrasting with this is the “traditionalist” or “folklorist”, in Scandinavia known as Folketro or Funtrad (short for Fundamentalistisk Traditionalisme) approach which emphasizes living local tradition as central.
Traditionalists will not reconstruct, but base their rituals on intimate knowledge of regional folklore. Proponents of traditionalism include the Norwegian Foreningen Forn Sed and the Swedish Samfälligheten för Nordisk Sed. Both religions reject the ideas of Romanticist or New Age currents as reflected in Asatru.At the other end of this scale are syncretist or eclectic approaches which merge innovation or “personal gnosis” into historical or folkloristic tradition.Note that this scale is largely independent of the approaches to “ethnicity” outlined above. Both ethnocentric and universalist Neopagans may de-emphasize historical tradition in favour of “personal gnosis”, albeit for different reasons. “Folkish” currents may rely on postulated racial memory (“metagenetics”) as rendering historical tradition superfluous, while universalists may welcome ahistorical input as ultimately of the same universal validity as historical tradition.*Personal notes*It should be no mystery that i identify with the “reconstructivist” approach……entirely.If there is no hard scientific proof for something i leave iot up to my personal opinions or taste and dont claim it is Norse or Germanic.In other words i am NOT Universalist NOR Folkish. Neither term means diddley squat to me.I am a modern Scandinavian with a polytheistic, culturally anchored religion, no better or worse than any other and just as open as history and archeology claims (not solely relying on mythology).I reject the idea that “Seax Wicca” belongs in this argument at all.Seax Wicca is not “Seax” (Saxon) exept for some terminology, names of Deities and iconography.It is an open, less initiatory form of Wicca.In Scandinavia i have never heard of “Kindreds”, i do however see their function.Blots with more than one participant are here usually rather informal and sometimes referred to as “Blot lag”.Cults here where always very decentralized and exept for a very few cult centers it could be seen as being performed at “home stead” or “farm level”.I would say that the main body of heathens in Scandinavia fall somewhere in the reconstructivist group if one HAS to classify. Most of them know a lot of medieval, Scandinavian history.I would also say that Scandinavian heathens generally identify with the Norse as a whole, the whole culture and history, rather than the vikings.Scandinavian heathens seem to have a very sober unromantic view of their history and heritage.
 
11
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Some coming articles:

Further on the  waking dead (Draugr):

Part II: The Dwelling Place of the draugr

Part III: Precautions Against the Walking Dead

Part IV: Draugr Attacks and Slaying the Undead

Part V: Parallels between the Scandinavian draugrand Beowulf’s Grendel

burial

OTHER:Germanic - a defenition
Alemanni (Germanic tribe)
Charlemagne and the Franks
Franks (Germanic tribe)
Seax, Scramseax (Weapon / tool)
The war between the Aesir and Vanir Gods
Early Anglo - Saxon Britain
Anglo - Saxon life and religion
Viking age Ireland
Viking age Scotland
Sacred space in viking age law and religion


(Source: vikinganswerlady.com)

11
07
Anglo - Saxon / Fyrn Siddy altar
11
04

Priests
While a kind of priesthood seems to have existed, it never took on the professional and semi-hereditary character of the Celtic druidical class. This was because the shamanistictradition was maintained by women, the Völvas. It is often said that the Germanic kingship evolved out of a priestly office. This priestly role of the king was in line with the general role of gothi, who was the head of a kindred group of families (for this social structure, see norse clans), and who administered the sacrifices
10
18
 
In Norse mythology, Mjǫllnir (also spelled Mjöllnir or Mjölner, pronounced /ˈmjɔːlnɪər/ or /ˈmjɔːlnər/ in English) is the hammer of Thor, a major god associated with thunder in Norse mythology. Distinctively shaped, Mjöllnir is depicted in Norse mythology as one of the most fearsome weapons, capable of leveling mountains. Though generally recognized and depicted as a hammer, Mjöllnir is sometimes referred to as an axe or club. In the 13th century Prose Edda, Snorri Sturluson relates that the Svartálfar Sindri and Brokkr made Mjöllnir at the command of Loki.
The Prose Edda gives a summary of Mjöllnir’s special qualities in that, with Mjöllnir, Thor:

… would be able to strike as firmly as he wanted, whatever his aim, and the hammer would never fail, and if he threw it at something, it would never miss and never fly so far from his hand that it would not find its way back, and when he wanted, it would be so small that it could be carried inside his tunic